Re: graduate school choices and auditions


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Posted by Dave S. on September 17, 2002 at 00:17:02:

In Reply to: graduate school choices and auditions posted by David B on September 16, 2002 at 12:16:30:

As for grad schools, if you are interested in a performance career you might give thought to the conservatories (Juilliard, Cleveland Institute, Manhattan, Peabody, Yale, New England Conservatory, etc.).

One school that is often overlooked is the University of North Texas. Don Little and Brian Bowman head the low brass department.

The other schools mentioned in the previous postings are good as well. The main points should be to determine how you want to sound, who you would like to sound like, think about what kind of work you would like to do and what kind of experience and training you need. That information should determine whether you need to go to a conservatory (professional school) or university (graduate school/teaching experience/advanced scholarship).

Take lessons from the faculty at each place you apply and use the information gained in the lessons later on in the decision-making process. Every school has their own audition procedure, but you should have several solo selections, excerpts, etudes, scales, etc. ready for any situation. Practice sight-reading; it makes a good first impression if you can read well at an audition. Also, make certain that whatever you have prepared is your BEST PLAYING, PERIOD. Show your best musicianship. Save difficult material for once you are in the program improving further.

Some teachers will provide information; others will reserve their opinions and views on your playing for later if you should attend their school. Don't feel cheated; take each audition as additional experience and use any knowledge gained from it for future auditions.

Throw your hat into several rings, as it is good to have options at your disposal. The advice from others that an audition is an interview is wise, as it is both for you to decide if it will suit your needs as well as for the teacher to see if you will contribute positively to the program.

Good luck to you and to others. Make music!


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